Connection Wordmark

Connection

Focus: Brand Identity, Storytelling, Post Growth


Software: Adobe Illustrator, Photoshop, InDesign

Team: In Collaboration with Leah Da Costa, Eva Toon & Holly Ryan.

How Can We Reimagine the Smartphone in a Post-Growth, Fossil-Free Future?

Connection animated logo

The Challenge

Our first second year project at AUB challenged us to reconsider an assigned object, in our case a smartphone, in a world without fossil fuels, imagining a “society that has moved beyond the current economic growth paradigm towards a more desirable, post-growth future”. 

Community profile location
Community Profile: Looking into our target audience location, predominantly in suburban areas
Community profile
Community Profile: Initial target audience

My Process

Collaborating with 3 of my fellow students, we created a brand that produces a toolkit of the ‘bare essentials’ typically offered by a smartphone, such as communication, navigation, organisation, entertainment and memory-keeping. Our aim was to bring communities and families together by returning to a time when people were less reliant on smartphones.

Target Audience

The main challenge we faced was presenting our concept as if it was already in place, our idea initially targeted 11-year-olds in England who were beginning to travel to school independently. “Our product is now owned by all age groups as generations have grown up. We aimed to unite communities and families by returning to a time when people were less reliant on smartphones, encouraging time in nature, new skills, and active hobbies.”

How to make an envelope instructions in a notebook
Cover of the notebook with the Connection logo
Branded Connection notebook, featuring a step by step for how to make an envelope
Inside of the notebook with the Connection logo pattern

Branded Assets

When beginning the branding process, we collaborated to divide tasks among ourselves. Within the toolkit, Holly and I worked on a few items. I created the notebook and designed the step-by-step guide for making an envelope, while Holly designed the initial layout for the cards and the card box. To save time and manage the workload, we divided the card suits among the group, with each of us designing 13 cards: Leah handled the clubs, Holly the spades, Eva the diamonds, and I the hearts.

Branded government letter
Branded government letter designed by Eva
Branded flyer
Branded flyer advertising the 'Tote Fest' designed by Leah

Additionally, Leah was responsible for designing the leaflet, which would be distributed in local areas and schools to promote the “Tote Fête,” where participants could decorate their toolkit bags. Finally, Eva’s role was to design the government letter, intended to be formal and informative.

Branded deck of cards
Branded deck of cards
Branded playing and information cards (the outside of the box was designed by Holly)
Branded deck of cards
We each designed a suite in the deck of cards (I designed hearts)

The Final Outcome

As part of our final outcome, we were tasked with designing a logo for our brand. When I began creating my sketches, I kept in mind what I wanted to represent or symbolise within them, aiming to give the logo a deeper meaning that resonates with both the brand and its audience. This approach helped me determine what would and wouldn’t work, as well as the style of illustration I wanted to pursue. I kept the designs simple, focusing on an outline style that could easily integrate with text.

What Steps Did We Take to Create Our Brand Identity?

Logo sketches
A few of the initial sketches I created for our logo
Logos
The initial logos I created for 'Connection'
Logo sketches
The developed sketches for our final logo
Final logo
Our chosen logo brokendown
Colours
The colour palette for Connection (system and tote and the main two colours used)
Branded governement letter
Bag
An example of a bag style that could be made during the annual Tote Fest (I designed and sewed this bag.)
Branded playing cards

The Impact

As part of this unit, we presented our final brand identity to the design experience agency Imagination. They praised the natural way we presented and appreciated the journey we took to reach our final outcome. They also highlighted how effectively we utilised our individual skills within the toolkit, which stood out to them. Each of us had a specific role and item to create, all tied to the bag concept.

Process book
Process book
Process book
Photos of my process book for this project explaining in further depth my creative approach
Process book

The Final Outcome

Reflection

In the past, I’ve enjoyed branding projects but often struggled with initial ideas and sketches, which made me hesitant to see branding as one of my strengths. However, during this assignment, I found that I enjoyed designing logos and exploring colours and typography much more. This might be because I felt inspired and invested in our concept, which was our own creation. After designing our final logo, I now feel more motivated to continue working on logos and branding, whether for hypothetical or real-world projects.

Presenting to someone from Imagination three times now - in different settings such as a classroom, a video call, and a formal meeting room - has greatly influenced how I perceive receiving feedback, especially from professionals in the design field. This experience has been valuable not only when presenting our ideas but also when listening to the feedback given to other teams. It has encouraged me to see things from new perspectives and critique my own work in a more thoughtful way.